Catapult is an innovative publisher that celebrates extraordinary storytelling. We promote American and international fiction and narrative nonfiction that is insightful, stirring, and surprising by way of unique voices—whether emerging or established—that honor the craft of writing. “We must contribute to both contemporary literary culture and the pleasure and knowledge of a diverse and serious readership,” says Editor in Chief Pat Strachan. “As Rebecca Mead wrote in The New Yorker, ‘There are pleasures to be had from books beyond being lightly entertained.’”

We welcome nonfiction for our online magazine. While we publish pieces that are anywhere from 500 to 6000 words long, a typical piece has around 2500 words. 

During the month of October 2017, we are accepting fiction submissions and pitches for columns. Please see below for details.

For both fiction and nonfiction submissions, please include word count and your email address in the document. Please submit only one piece at a time, and please include a cover letter along with your piece. Writers will receive compensation for accepted online magazine pieces. We will respond to submissions within six months, hopefully earlier. We accept all file formats. 

If you are in touch directly with a Catapult editor, please share your writing with them via email, and do not submit here.

In the meantime, check out our Community site where emerging writers can post their work and receive feedback from one another. We hope you'll find this an engaging and safe way to bring your words into the world. 

Thank you.


Have you heard about our writing workshops? 

"Best Place to Meet Your Literary Heroes and Get Better at Writing” – Village Voice

Use code SUBMIT10 for 10% off your first class.

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Ends on October 31, 2017

Catapult is accepting pitches for columns. We encourage you to check out a few of our previously published columns to get a feel for the type of work we’d like to see from our regular contributors. We pay for all pieces that are published.


When you submit you column pitch, be sure to include:

  • A suggested title for the column

  • An overview of the column’s theme, in as much detail as possible: what your column will be about, the reason(s) why you’d like to explore this particular topic, and why you think it would be a good fit with Catapult

  • Pitches for the first three installments you will write, if selected

  • At least three clips of previously published work (blog posts are acceptable)

Please submit one complete column pitch at a time. If you are in touch with a Catapult editor, please feel free to contact them directly and do not double-submit to Submittable and a Catapult editor.

Catapult's online magazine is accepting narrative nonfiction submissions. We welcome personal essays, lyric essays, reportage, and unconventional prose which resists categorization. 

Preferred word count for submissions is 500 - 6000 words. Writers will receive compensation for accepted pieces.

Please indicate if this is a resubmission or a revised pitch that Catapult editors have already seen.

If you are in touch directly with a Catapult editor, please share your writing with them via email, and do not submit here.

Ends on October 31, 2017

Catapult is accepting fiction submissions during the month of October 2017. As always, we welcome short stories, novel excerpts that stand on their own, and translated fiction. We pay for all pieces that we publish.

We are particularly interested in fiction under 1000 words. If you’d like a few examples, we’re proud to have published Jess Zimmerman’s “Never Quiet Again” Nao-cola Yamazaki’s “A False Genealogy,” Lauren Spohrer’s “I Am an Old Erection,” and Rion Amilcar Scott’s “Boxing Day.”

Please submit only one story at a time. If you are in touch with a Catapult editor, please share your writing with them via email, and do not submit here.

Catapult Community is currently accepting submissions for our Literary Pet of the Month series.

We welcome entries extolling your pet’s virtues as a reading companion, rigorously crafted comparisons to famous literary pets, introspective meditations on the reason you named your pet after a writer or a character in literature, and any other submissions that could engrave your pet’s story into the annals of literary history.

Submissions should be one paragraph in length. We also ask that you provide a photo of your furry (scaly) friend for fact-checking purposes. One winner will be chosen and featured on Community every month.

For inspiration, we invite you to look at Marie-Helene Bertino's 'Fantastic Mr. Fox.'